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Philip G. Wilkinson: One Hundred Score Reading Exercises

The book 100 Score-Reading Exercises by Philip G Wilkinson contains short three and four part scores in all time signatures, including 5/8 and 7/8, and all key signatures through G flat and B.

Franz Schubert: Mass In G

A revised 1977 edition of Schubert's Mass In G For soprano, tenor and bass soli, SATB chorus, strings and organ. Optional wind and timpani.

Bernard Naylor: Magnificat/Nunc Dimitus In G Ttbb

E.W. Naylor 's Magnificat And Nunc Dimittis  in G for TTBB with Organ accompaniment.

Henry Purcell: Magnificat And Nunc Dimittis In G Minor

Purcell's Magnificat And Nunc Dimittis In G Minor arranged for SATB and organ.

Herbert Sumsion: Magnificat And Nunc Dimittis In G (Boys Voices)

Magnificat and Nunc Dimittis is scored for Boy's voices with organ set to music in the key of G.

Henry Purcell: Suite In G (Score/Parts)

Suite In G is a work by  Henry Purcell , for Strings and Continuo. Taken from the Purcell Society Edition No.31, edited by Thurston Dart, this is the Score and Parts, with performances lasting around 8 minutes.

Walter G. Alcock: Twelve Short Introductory Voluntaries For Organ

W G Alcock was among the most highly respect cathedral Organists of the early twentieth century and had the unique distinction of having performed in Westminster Abbey for the coronations of three English monarchs, Edward VII, George V and George VI. He was Organist of Salisbury Cathedral for thirty years and travelled extensively as an Organ recitalist.His compositions for Organ are now performed less frequently than they once were. These short voluntaries would be appropriate for the intermediate level Organist.

George Dyson: Symphony In G (Study Score)

The Symphony In G for Full Orchestra was written in 1937, and first published in 1940. Lasting around 43 minutes, it is often compared to Moeran’s Symphony of the same year, as the two works are stylistically very similar. George Dyson (1883-1964) was a British composer, organist and music teacher. He studied at the Royal College of Music under Charles Stanford, and became a teacher at various public schools. He later became the Director of the RCM, ensuring it stayed open during the Second World War. He is probably best remembered nowadays for his Anglican church music, especially his settings of the canticles, but he also wrote a substantial amount of instrumental and secular choral music.

C. Hubert Parry: Bridal March (Birds Of Aristophanes) For Organ

Arranged for Organ by Walter G. Alcock.

J. Hamilton S. Clarke: Three Andantes Organ

Andante 1 – in D Andante 2 – in G Andante 3 – in E flat

John Stainer: 12 Pieces For Organ Pieces 1-6

Andante (Sonata G.1) [Torelli, Giuseppe]Impromptu [Forbes, Sebastian]On A BassPrelude And FughettaReverie [Dancla, Charles]

Herbert Sumsion: Te Deum In G

For SATB Choir and Organ.

G. F. Handel: Hercules (Ed. Peter Jones) (Parts)

Handel 's Hercules , edited by Peter Jones is available here as a full set of Instrumental Parts . With a libretto by Thomas Broughton, this version was composed in 1744 with its first performance the following year at the King's Theatre, Haymarket, London.

G. F. Handel: Israel In Egypt (Vocal Score)

A sacred oratorio, written in 1738 arranged for SSATBB, edited, and the piano accompaniment arranged by, Mendelssohn.

Handel, G Saeviat Tellus Inter Rigores Study Score

The Saeviat Tellus Inter Rigores makes substantial virtuosic demands in the Soprano solo part. It is written in six movements, very specifically for the Order of Carmelites.Handel’s early musical life in Hamburg led him to an encounter with a member of the de Medici family who may have inspired him to make his seminal visits to Italy, beginning in 1706. Surprisingly, in view of his Lutheranism, Handel’s first compositions in Italy were for the church, including this motet, written for the Feast of Our Lady of Mount Carmel and performed in 1707.

G. F. Handel: Hercules (Ed. Peter Jones) (Vocal Score)

Handel 's Hercules , edited by Peter Jones is available here as a Vocal Score . With a libretto by Thomas Broughton, this version was composed in 1744 with its first performance the following year at the King's Theatre, Haymarket, London.

Henry Smart: Andante No.1 In G For Organ

G. F. Handel: Hercules (Ed. Peter Jones) (Full Score)

Handel 's Hercules , edited by Peter Jones is available here as a Full Score . With a libretto by Thomas Broughton, this version was composed in 1744 with its first performance the following year at the King's Theatre, Haymarket, London.

Herbert Sumsion: Magnificat And Nunc Dimittis In G (ATB)

Magnificat and Nunc Dimittis Mens Voices (ATB) with Organ.

Herbert Sumsion: Magnificat And Nunc Dimittis In G (New Engraving)

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work.

G. F. Handel: Messiah: Second Violin (Edited By Watkins Shaw)

The second violin part realised by Watkins Shaw.

Thea Musgrave: On The Underground Set 1 'On Gratitude, Love And Madness

The six poems set here are all to be found in '100 Poems on the Underground'. For SATB (divisi) A Cappella.

Jonathan Harvey: Dove Descending

This anthem was written in 1976 for Martin Neary and the Winchester Cathedral Choir. A G major chord sounding through most of the anthem depicts the joyful love and irrepressible faith of a soul that clings to its Lord despite its suffering and anguish.

G.F. Handel: How Beautiful Are The Feet In F Minor

In Handel’s Messiah, this lilting air in 12/8 for Soprano is a breath of lightness and truth following the grandeur of The Lord Gave the Word. For the Soprano or mezzo who is not confident on a repeated high G, this transposition to F minor allows the music to be the centre of attention.

Early Organ Music For Manuals Book 2

Early Organ Music for Manuals contains six works by six different composers – four of them English -- arranged where necessary for two-manual Organ. The biographies included for each composer are most informative and help to place the works in their historic context while the performance notes add greatly to the performer’s understanding. The songbook includes works by Maurice Greene, Samuel Wesley, John Blow, J . E. Eberlin, Benjamin Rogers and G. B. Martini.