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Trevor Wye: A Very Easy Flute Treasury

Little Voices - Matilda The Musical

David Sanger: Play The Organ Volume 2

Michael Hurd: Rooster Rag

Little Voices - Christmas

Little Voices: Matilda The Musical (Book/Audio Download)

Debbie Campbell: Ocean Commotion - Pupil's Script

Eta Cohen: Violin Method Book 1 (Soundwise)

Debbie Campbell: The Bumblesnouts Save The World (Vocal Score)

John McCabe: Berceuse (Study No.13) For Piano

Debbie Campbell: The Emerald Crown - Pupil's Script

Eta Cohen: Violin Method Book 1 (Sixth Edition)

Eta Cohen: Violin Method Book 1 (Sixth Edition)

Eta Cohen's world famous Violin method broke new ground when it was first released. Providing an incremental approach to learning the instrument, it only introducing one concept at a time and reinforced each new concept with an accompanying exercise and highly enjoyable pieces. The careful organisation of the method meant that it was a great equaliser because any child could make good progress almost irrespective of talent. It was also based upon the principal that playing well brings intense satisfaction, whereas playing badly only results in frustration.The Eta Cohen Violin Method has produced music professionals who, today, occupy many prominent positions in the music profession, including renowned soloists, chamber musicians, orchestral performers (including several orchestral leaders) and teachers.This sixth edition has been completely revised and updated to make Eta's method available to yet another generation of aspiring violinists.Book 1 is a complete guide to everything the beginner violinist needs in order to develop a secure technique. It is packed full of fun and engaging pieces, with helpful photos to guide technical aspects of playing. It includes 4 beautifully recorded CDs containing backing track arrangements for students to play along with, plus demonstration tracks of all the pieces included in the book. "It's truly the Delia Smith of Violin methods... the much-imitated, indispensible original" - James Murphy Director, Southbank Sinfonia

SEK 146.00
1

John McCabe: Woefully Arrayed for Twelve Voices

John McCabe: Woefully Arrayed for Twelve Voices

Arranged for SSSAAATTTBBB, the lyrics are from an anonymous writer of the fourteenth century and have been adapted by the composer.The composer says: "Woefully arrayed is a supreme choral setting by William Cornysh, Junior, who died in 1523, of a text usually regarded as of anonymous composition, though there have been some attributions to John Skelton. It is a thoughtful, powerful meditation on Christ on the Cross, and though Cornysh?s setting has remarkable intensity and contrapuntal artistry, I felt a strong wish to add my own response to this fine text. The different versions of it have different verses ? that used by Cornysh has three verses (plus the refrain), while there are others with four or even five (one attributed to Skelton has five). I have chosen to restrict myself to the three used by Cornysh, using my own adaptation of the modernised words which yet incorporates some archaisms ? a deliberate choice for reasons of rhythm and verbal sound. This setting was commissioned by the Three Choirs Festival 2009, for Stile Antico, to whom it is dedicated.""Difficult to perform but not difficult to listen to, this 2009 Three Choirs Festival commission was first performed by Stile Antico who have since toured it. It is a heartfelt response to the fourteenth-century text ? passionate and anguished, Christ is on the cross, ?woefully arrayed?. Although written for a secular choir it is a piece that could be sung by many cathedral and collegiate choirs: there is considerable doubling between the sixteen lines, and a keyboard reduction to help the initial sorting out. Above all it is dramatic and would communicate directly to audiences if given a chance to hear it."      - James L Montgomer, RSCM review

SEK 137.00
1

John McCabe: String Quartet No.7 - Summer Eves (Score)

John McCabe: String Quartet No.7 - Summer Eves (Score)

Commissioned by the Presteigne Festival of Music and the Arts Limited, with funds provided by the Arts Council of Wales, for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church, Presteigne.Composer's Note"Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ? ?Classical? in the sense of the forms adopted, plus perhaps a predominantly lyrical tone of voice. The commission for this work, from the Presteigne Festival for their 30th anniversary in 2012, gave me the opportunity of putting into practice this long-held idea. It is dedicated to the Festival and to the Carducci Quartet, whose career, as much-admired friends and colleagues, I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four, with two Scherzi as the second and third, though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work, and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form, unusually for me, and lyricism is, I hope, the basis of it, though there is a good deal of activity at times. The Scherzo, light and marked by frequently-changing rhythms, is followed by an equally short but ferocious Perpetuum mobile, marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio, in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close, intermingled with cadenzas for cello, for viola, and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement, but apart from one dance-like episode it builds up a fair head of steam towards a final Presto, which however ascends, slows and quietens, towards a gentle summer sky at dusk."

SEK 385.00
1

John McCabe: String Quartet No.7 - Summer Eves (Parts)

John McCabe: String Quartet No.7 - Summer Eves (Parts)

Commissioned by the Presteigne Festival of Music and the Arts Limited, with funds provided by the Arts Council of Wales, for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church, Presteigne.Composer's Note."Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ? ?Classical? in the sense of the forms adopted, plus perhaps a predominantly lyrical tone of voice. The commission for this work, from the Presteigne Festival for their 30th anniversary in 2012, gave me the opportunity of putting into practice this long-held idea. It is dedicated to the Festival and to the Carducci Quartet, whose career, as much-admired friends and colleagues, I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four, with two Scherzi as the second and third, though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work, and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form, unusually for me, and lyricism is, I hope, the basis of it, though there is a good deal of activity at times. The Scherzo, light and marked by frequently-changing rhythms, is followed by an equally short but ferocious Perpetuum mobile, marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio, in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close, intermingled with cadenzas for cello, for viola, and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement, but apart from one dance-like episode it builds up a fair head of steam towards a final Presto, which however ascends, slows and quietens, towards a gentle summer sky at dusk."

SEK 484.00
1