Performance Marketing Agency

Nico Muhly: How Little You Are (SATB Divisi Chorus And Three Guitar Quartets)

Nico Muhly's How Little You Are was composed in 2015 and is arranged for SATB divisi chorus and three Guitar quartets. Based on "Cowboy Poetry" texts, the work masterfully weds guitar and vocal textures, resulting in poignant Western impressions. Duration: approximately 40 minutes

Nico Muhly: How Little You Are (SATB Divisi Chorus And Three Guitar Quartets)

Nico Muhly's How Little You Are was composed in 2015 and is arranged for SATB divisi chorus and three Guitar quartets. Based on "Cowboy Poetry" texts, the work masterfully weds guitar and vocal textures, resulting in poignant Western impressions. Duration: approximately 40 minutes

Robin Holcomb: Little Three

Nico Muhly: Hymns For Private (Score And Parts)

Hymns For Private has been beautifully composed by Nico Muhly. This score and parts is the perfect addition to any wind ensembles collection that may be looking for something a little different.Hymns For Private was commissioned by Het Concertgebouw Amsterdam and Wigmore Hall, London, with the support of André Hoffmann, President of the Fondation Hoffmann,a Swiss grant-making foundation, for the world premiere performances on April 13, 14, 18, and 19, 2012.

Nico Muhly: Common Ground

Commissioned for the Claremont Trio by Robert and Jane Morse for the world premiere performance October 30, 2008. Score and parts for Piano Trio (Violin, Cello and Piano). Common Ground employs three different repetitive techniques. The first third of the piece is a cycle of chords of expanding and contracting length, with the violin and cello trading agitated little lines. The second is a pastoral obsession over essentially one chord: light changing over a field. Here, the cello leads, and the violin and piano offer insect-like interruptions. After a metronomic interlude and a free-form interlude, the piano begins stating a ground bass -- a repetitive line around which the harmonies constantly shift. This sort of thing pops up in Purcell, where I first encountered it as a choirboy. The piece ends with a hyperactive recapitulation and is approximately nine minutes long. - Nico Muhly