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School Of Ragtime: 10 Classic Rags For Guitar By Scott Joplin

Fred Sokolow: Jamming The Blues

Jazz Rock Guitar Of Mickey Baker And The Alex Sanders Funk Time Band

Jazz Rock Guitar Of Mickey Baker And The Alex Sanders Funk Time Band

Mickey Baker, best known for his Mickey & Slyvia hit Love is Strange, lived in France for the last thirty years of his life. During that time he played jazz as well as delving back into the roots of Black American music. As a result he began to experiment with various country blues techniques and styles. This exploration led to his album Blues and Jazz Guitar of Mickey Baker (SGGW107). At the same time he also began to perform as a solo jazz and blues artist which was quite different than his past where he usually fronted either a jazz or a rock band. His solo blues playing took him around Europe and during the last years of his touring throughout Africa on three occasions. On his last tour of Africa he was joined by the excellent bass player Alex Sanders and Mickey's show was able to expand to the full gambit of his musical experiences - from country blues to jazz. During this tour Alex and Mickey started to compose together and decided to try and record an album that would highlight their sounds and explorations. This is, in fact, the first jazz rock guitar album that Mickey Baker has ever done. It is full of surprises and intriguing sounds from a rendition of Rachmaninoff's Prelude In C# Minor to the disco sound of Alexander's Funk Time to the 7/4 of Ouagadougou. Plus for this album Mickey combined his skills of being one of the finest jazz guitarists with those of a teacher and prepared a tab/music booklet for students.

SEK 152.00
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The Guitar Of John Lee Hooker

The Guitar Of John Lee Hooker

John Lee Hooker recorded hundreds of songs throughout his career that spanned from the late 1940's until his death in 2001. Very few blues musicians reached the heights that Hooker achieved, among his many awards Hooker was inducted into the Blues Hall of Fame, the Rock and Roll Hall of Fame, awarded the Grammy Lifetime Achievement Award, and has a star on the Hollywood Walk of Fame. John Lee Hookers trademark one chord blues style can be traced back to his Mississippi roots where he first learned to play guitar and although often described as a simple technique, the rhythm found in his playing is the bedrock by which all things blues, fingerstyle, rock, etc., is based upon. John Lee Hooker played out of standard tuning, E position, and Spanish tuning, typically Open A, and nearly all his recorded works fall into either category. Breaking this collection into two parts Feldmann walks you through every aspect of Hookers playing style in both Standard and Spanish tuning. You'll even be treated to live video footage of Hooker performing the tunes taught out of Standard tuning on electric, and more rare, acoustic guitar. Whether your looking to learn Hookers songs, licks, or playing style you'll find those elements in spades, plus most importantly you'll improve your rhythmic technique which will benefit your own playing regardless of genre. Tunes include: 'Maudie', 'Tupelo, MS', 'I'll Never Get Out of These Blues Alive', 'Boom Boom', 'Boogie Chillen', 'Hobo Blues', 'I'm A Crawling King Snake', 'Bundle Up and Go'.

SEK 327.00
1

John James: In Concert

John James: In Concert

The British folk club scene is a fairly huge and unique underground institution. At anytime since the early 1960's you would have been able to find a thousand or so weekly or monthly clubs gathering in all sizes of pub rooms around the land and in the Universities and colleges. In the great majority of these the guitar has been the commonest instrument; picked, strummed, thrashed and caressed in a multitude of styles and levels of competence. Fashions and fads come and go, but certain players have such a widespread influence that their own styles become part of the mainstream. When I heard the tapes of this album it impressed me as the essential John James. Probably because he was a working musician, "live" that is, I never felt that his earlier studio albums (except for "Sky In My Pie" with Peter Berryman) did him full justice. His recent Kicking Mule debut "Descriptive Guitar Instrumentals" was probably the first to really showcase what a lively, fluent, creative and dynamic player he really is. This one not only does all that but really catches the essence of a John James performance. I'm a great believer in albums which truly represent the artist and if you've never seen John "live" you can take my word for it that this one does. What's more, it has a real cross section of the favourite tunes and songs from his stage repertoire over the past decade, plus a selection of newer goodies to join that company. ? Ian Anderson/FolkRootsTrack Listing: Picture Rags, Opus 18, Silver Swan, Suitcase Shaped Like That, Black And White Rag Rosebud March, How Can I Tell You, Pickles And Peppers, Ragtime Millionaire, Head In The Clouds, Coconut Dance, Victory Rag, You And I Across The Water, B Minor Run, Tears and You Got Something There

SEK 162.00
1

Stefan Grossman: Fingerpicking Blues Guitar Arrangements In Vestapol Tuning

Stefan Grossman: Fingerpicking Blues Guitar Arrangements In Vestapol Tuning

The Open D Tuning (D A D F# A D), also referred to as the Vestapol tuning, is a powerful and evocative tuning that was widely used by guitarists in the 1920s to play country blues, ballads, rags and folk tunes. In this lesson I focus on arranging five of my favorite blues melodies in Vestapol plus an original instrumental.The religious tune When I Lay My Burden Down was in the repertoire of both Black and White traditional guitarists. I have arranged it in an Elizabeth Cotten/Mississippi John Hurt style. The beautiful blues Goin' To Germany was recorded by the Cannon's Jug Stompers in the 1920s. I have always wanted to find the right setting for this melodic country blues and the Vestapol tuning gave me the feel and textures that I was looking for. Sam McGee played guitar behind Uncle Dave Macon when he recorded, I've Got The Morning Blues in Vestapol. This is a fun tune to play and leads nicely in to Hesitation Blues, a song recorded by many artists. My arrangement tries to combine a sliding jug sound with some funky blues licks. Peg Leg Howell's Skin Game Blues is a rare example of an early blues song with three distinct sections. Peg Leg played this with a bottleneck but for our arrangement we will rely on our fingers to make the notes sing out.We finish the lesson with Innocence Abroard. An original instrumental that ties together the right and left hand techniques we have studied.A detailed tab/music booklet is included as a PDF file on the DVD. Each tune is taught phrase by phrase and played slowly on a split-screen. Bonus audio tracks of the original 1920s recordings are included. These are the records I first heard that influenced me to rearrange the melodies to the Vestapol tuning. Stefan Grossman

SEK 301.00
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