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Adrian Ingram: Jazz For The Electric Blues Guitarist DVD

Stefan Grossman: Folk Blues for Fingerstyle Guitar (2 DVD Set)

Fred Sokolow: The Music Of Johnny Cash For Fingerpicking Guitar (DVD)

The Guitar Of Mississippi John Hurt: Volume 2 DVD

The Guitar Of Mississippi John Hurt: Volume One (DVD)

Celtic Airs, Jigs, Reels And Hornpipe Guitar DVD

John Miller: Jackson Blues Guitar DVD

John Miller: Jackson Blues Guitar DVD

Jackson, Mississippi attracted a host of blues musicians in the period 1910-1940. Many players from small towns made their way to Jackson, which as the capital of Mississippi and a much larger city, held forth the promise of more and better work opportunities, and the possibility of making a living playing music rather than driving a mule or chopping cotton. The Jackson Blues scene was an unusually rich one, stylistically, spanning the gap from the sophisticated Pop blues of Bo Carter to the low-down blues of Rube Lacy and a host of players working between those two extremes.Included on this DVD are transcriptions and teaching of recorded performances from Tommy Johnson, one of the fountainheads of the Mississippi blues, Itta Bena natives Rube Lacy and Ishmon Bracey, with their distinctive vocal head tones and intense playing, the great Geeshie Wiley, a woman who played and sang as strongly as any man, Walter Vinson, guitarist and lead singer for the Mississippi Sheiks, and Bo Carter, a player with a rich chordal vocabulary and Jazzy sound. The songs presented offer a wide range of left and right hand approaches and ways of keeping time and will expand your your ability to play blues, moving far afield from the simple alternating bass.A detailed tab/music booklet is included as a PDF file on the DVD, and contains all of the songs' lyrics as well as transcriptions of the Guitar parts. Also included are the original source recordings from which the transcriptions taught in the lesson were taken.Titles include: Tommy Johnson: Lonesome Home Blues | Walter Vinson: Overtime Blues | Geeshie Wiley: Eagles On A Half | Rube Lacy: Ham Hound Crave | Ishmon Bracey: Four Day Blues | Bo Carter: Honey

SEK 301.00
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The Guitar Of Pierre Bensusan - Volume 1 DVD

The Guitar Of Pierre Bensusan - Volume 2 DVD

Cory Seznec: New Orleans Fingerstyle Blues Guitar (DVD)

Fingerpicking Guitar Techniques (2 Volume DVD Set)

Ragtime Guitar Of Rev. Gary Davis - 2 DVD Set

Fred Sokolow: Better Lead Guitar Through Chords (DVD)

Duck Baker: Guitar Aerobics (DVD)

Hot Licks, Rhythms And Grooves (DVD)

Jody Stecher: Downhome Flatpicking Guitar (DVD)

The Fingerstyle Guitar Of Jody Stecher (DVD)

Fred Sokolow: Open Tunings For Beginners (DVD)

Jody Stecher: Celtic Melodies For Flatpicking Guitar DVD

Christmas Carols And Songs For Fingerstyle Guitar DVD

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

The ragtime and early jazz music pioneers during the first decades of the last century didn?t know that the sounds they created would echo in the music that people loved for years to come. They started an American music tradition that is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist, I never thought that playing back-up in a jazz band was for me. I?d rather do something with these songs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music, with a steady left hand playing bass notes and chords together with the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classical ragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all the notes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make my arrangements not too difficult to play, so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though, is to make the tune sound like Guitar music, not Piano music played on the Guitar.

SEK 301.00
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Advanced Fingerpicking Guitar Techniques: Hot Fiddle Tunes And Rags