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Rolly Brown: A Nuts & Bolts Approach To Melody

Rolly Brown: A Nuts & Bolts Approach To Melody

This lesson is designed to start you on the road to playing improvisationally over all manner of chord progressions. It will teach you how, with just a couple basic scales, you can understand how all of the twelve tones fit into a framework for soloing, and, then, how you can develop great soloing chops without even thinking about scales.Material covered includes:Major and Blues scales; the basic building blocks. Understanding how each note sounds within a key signature by training your ear. ?Altered? and ?Hybrid Blues? Scales, for more advanced ear training. Pentatonic major scales for country/rock guitar. How to approach solo fingerstyle Blues improvisation. Rolly's 3 step process for non-scale soloing, based on chord shapes and arpeggios. Chord melody playing. Physical mechanisms for expressive soloing. Making your music sound human

SEK 301.00
1

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

Lasse Johansson: Early Jazz for Fingerstyle Guitar (DVD)

The ragtime and early jazz music pioneers during the first decades of the last century didn?t know that the sounds they created would echo in the music that people loved for years to come. They started an American music tradition that is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist, I never thought that playing back-up in a jazz band was for me. I?d rather do something with these songs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music, with a steady left hand playing bass notes and chords together with the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classical ragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all the notes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make my arrangements not too difficult to play, so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though, is to make the tune sound like Guitar music, not Piano music played on the Guitar.

SEK 301.00
1