Performance Marketing Agency

WATERMUSIC II

WATERMUSIC II

TRINITATISMOTETTER II

TRINITATISMOTETTER II

CHAMBER MUSIC II

CHAMBER MUSIC II

TAO-MEDITATION II

TAO-MEDITATION II

Holmgreen Mirror Ii Sc

Composed 1973 For orchestra Danish title: Spejl II

HELLSTENIUS HENRIK FIVE IMPRINTS OF TIME II PERCUSSION SCORE

HELLSTENIUS HENRIK FIVE IMPRINTS OF TIME II PERCUSSION SCORE

Franz Joseph Haydn: Piano Trios, Volume II

Franz Joseph Haydn 's Piano Trios, Volume II for Violin, Cello and Piano. Urtext edition score and parts.

Magnus Lindberg: Arena II

The full score of Arena II, written in 1996 by Magnus Lindberg, for Chamber Orchestra. The work is a version for sixteen instruments, derived from it's predecessor Arena, and was commissioned by the London Sinfonietta with funds from the Arts Council, the Aldeburgh Festival, and the South Bank Centre.

Into The Unknown (from Frozen II)

This powerful anthem from the blockbuster Frozen II is sung by Idina Menzel and later performed by pop sensation Panic! at the Disco during the film’s credits. Here's a terrific setting for band of this instant classic.

Henrik Hellstenius: Love Songs II (Score)

Love Songs II for Solo Voices and Sinfonietta was composed by Henrik Hellstenius in 2013.Texts by William Shakespeare (Fragments from Sonette 18 and 40) and Henrik Hellstenius.Commissioned by Norland Music Festival and premiered by NMH Sinfonietta 11.01.2013.

The Real Rock Book Volume II

The Real Rock Book – Volume II contains 200 rock hits arranged for C instruments, with no duplication from the first volume. This songbook includes Beat It, The Boys Are Back in Town, Every Breath You Take, Fields of Gold, Free Fallin', Superstition, You Really Got Me and many more favourites.

John McCabe: Two Scenes From Edward II

Two pieces from the score of the full-length ballet Edward II. The ballet iteslf was commissioned by the Stuttgart Ballet, and completed in 1995. The first performance took place in Stuttgart in April 1995, and in the same year this arrangement for 2 Pianos of two scenes was commissioned by the Port Fairy Festival of Australia.The first pieces represents one of the lighter moments of the ballet, and is based upon a set of dances at the French Court> The second piece is a reminder of the darker nature of the ballet as a whole, expressing the lust for power as the Barons opposed to Edward II unite in anger at his behaviour.

Bulgarian Dances (Part II)

Bulgarian folk music has a long tradition and numerous typical characteristics, such as particular dissonances and complex, irregular rhythms. In Bulgarian Dances (Part II) (which can be performed together with the previously published title Bulgarian Dances) Franco Cesarini has preserved the original spirit of Bulgarian folk music, yet has imbued it with a symphonic character and brought it into the concert hall. The three different movements give us a meditative, moving folksong and a lively dance, before a distinctly symphonic part leads to a glittering finale.

The Baroque Violin & Viola, vol. II : A Fifty-Lesson Course

A groundbreaking pedagogical work, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course blends Walter Reiter's experience as a renowned teacher and performer to guide the reader through the techniques and interpretive complexities of the Baroque violin repertory.

The Rhythm Reader II : A Practical Rhythm Reading Course

Here is a follow-up to Audrey Snyder's popular rhythm reading method. Designed for choirs, bands, orchestras and general music classes, 'The Rhythm Reader II' promotes quick comprehension with solid rhythm reading resulting inonly a few minutes of use each rehearsal. Volume II continues the sequential curriculum by offering instruction and practice in ties, dotted rhythms, cut time and other meters, sixteenth note combinations, compound meters,triplets and more. The concepts are introduced logically and sequentially throughout more than 100 exercises. Optional recorded accompaniments on the CD promote high motivation and success for all students. These recordingsfeature a wide variety of styles and timbres from classical to reggae, string quartet to rock, making learning to sight-read FUN!

Complete Piano Sonatas Volume II cb.

Over 50 internationally celebrated pianists were invited to adopt one Haydn piano sonata each and provide it with their personal fingerings – a who’s who” on the contemporary piano scene. G. Henle Publishers now presents this classic, revised and with a new look, to all pianists in the certainty that Haydn’s sonatas will further cement their place in the world of music. Volume II contains three sets of six sonatas, each more famous than the last and all replete with delightful thematic ideas – it is here one finds the core of Haydn’s sonata production, which amateurs and professionals alike simply cannot do without!

Carl Nielsen: Quintet (Parts)

For Violin I, Violin II, Viola I, Viola II, and Cello.

The Real Vocal Book: Volume II (High Voice)

The Real Vocal Book is an alternative to the plethora of poorly designed, illegible, inaccurate and badly edited volumes which abound on the market today. With a neat and accurate layout, the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform. This volume contains nearly 300 popular songs, arranged especially for vocalists with higher voices. Featuring many well-known tunes from musicals and films, The Real Vocal Book: Volume II (High Voice) includes the hits Big Spender, Let There Be Love, What A Wonderful World, On The Street Where You Live, Swinging On A Star and many more.

The Real Vocal Book: Volume II (Low Voice)

The Real Vocal Book is an alternative to the plethora of poorly designed, illegible, inaccurate and badly edited volumes which abound on the market today. With a neat and accurate layout, the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform. This volume contains nearly 300 popular songs, arranged especially for vocalists with lower voices. Featuring many well-known tunes from musicals and films, The Real Vocal Book: Volume II (Low Voice) includes the hits Big Spender, Let There Be Love, What A Wonderful World, On The Street Where You Live, Swinging On A Star and many more.

The Real Book: Volume II - Second Edition (E Flat Instruments)

The Real Book is an alternative to the plethora of poorly designed, illegible, inaccurate and badly edited volumes which abound on the market today. Clear and accurate, the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform. Arranged for E flat instruments, this edition of The Real Book: Volume II contains 400 songs, including Moon River, Georgia On My Mind, Fly Me To The Moon, Oye Como Va and many more well-known tunes.

The Real Book: Volume II - Second Edition (Bass Clef Instruments)

The Real Book is an alternative to the plethora of poorly designed, illegible, inaccurate and badly edited volumes which abound on the market today. Clear and accurate, the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform. Arranged for bass clef instruments, this edition of The Real Book: Volume II contains 400 songs, including Moon River, Georgia On My Mind, Fly Me To The Moon, Oye Como Va and many more well-known tunes.

The Real Book: Volume II ? Second Edition C Instruments (Mini Edition)

The Real Book is an alternative to the plethora of poorly designed, illegible, inaccurate and badly edited volumes which abound on the market today. Clear and accurate, the Real Book series aims to provide a selection of music that is both easy to read and enjoyable to perform. Arranged for C instruments, this mini edition (5.25" x 8.5") of The Real Book: Volume II contains 400 songs, including Moon River, Georgia On My Mind, Fly Me To The Moon, Oye Como Va and many more well-known tunes.

Lichttürme II / Towers of Light II

Niels Rosing-Schow: Alliage II (Player's score)

Programme note:Alloy II for Viola and Classical AccordionThe two instuments of this duo are very different in appearance, and in the way of playing as well as toneproduction. At first glance this might call for a music, which brings out these differences in the nature ofthe instruments, distributing distinct, even contrasting, musical roles to the two players, such as melodyversus accompaniment. But I refrain from this obvious ?casting? of the instruments, since I have alwaysbeen fascinated by the less evident, by transitions and gradual displacement, by the intangible placesbetween one and the other. I search for this ?terrain vague? of fruitfull incertainty and permanent genesis.To arrive here, I have in this piece written a music, which makes hidden relations and unexploredsonorous paths come forward between the sound worlds of the two instruments. Bringing together themusical substances, I look for something deeper than just common sounds: a fresh musical place. And thelively and bright sound world that emerges form this instrumental and textural ?in-between? I associate toalloys, in particular the silvery amalgamations of mercury.The work was commisioned by Andreas Borregaard and composed with support from The Danish ArtsFoundation. It is dedicated to the duo Inviolata.Niels Rosing-Schow

Fury II